Ted Grimsrud—September 3, 2020

In his new book, Who Will Be a Witness? Igniting Activism for God’s Justice, Love, and Deliverance (Herald Press), Messiah College theology professor Drew Hart has given us a much-needed theological resource for embodying the way of Jesus in our troubled times.

A theology for Christian social engagement

The most attractive aspect of this engagingly written book is how Hart synthesizes three streams of Christian theology: (1) a Jesus-centered biblical radicalism that has a visionary suspicion of the mainstream Christian tradition, (2) a socially-engaged sensibility shaped by the black experience in America (a legacy Hart calls “the black prophetic tradition”), and (3) an Anabaptistic orientation that emphasizes the call to transformative nonviolence.

While Hart writes explicitly as a black theologian, what he provides is not a narrowly focused “contextual theology.” His first book, the well-received Trouble I’ve Seen: Changing the Way the Church Views Racism, focuses on the African American context. This new book, Who Will Be a Witness?, may in turn more accurately be understood as a much broader Christian theology of social engagement that Hart constructs through the lens of the black Christian tradition.

Thus, Hart’s book may be seen as a contemporary expression of what theological historian Gary Dorrien presents as “the black social gospel” in his recent magisterial two-volume history of that tradition in the United States. Dorrien argues that the black social gospel has been a perspective that speaks to all Christians with a profound awareness of the concrete relevance of the Christian gospel for life in this world. Like the great practitioners of the black social gospel such as Howard Thurman and Martin Luther King, Jr., Hart gives us a powerful challenge for all Christians to understand that at the very core of our faith lies a call to be an active presence in the world witnessing to God’s work of justice and healing. Continue reading “A social gospel for the 21st century: Drew Hart’s creative synthesis” →